If you're an Avatar: The the inherent eroticism of the sea natalie wynnLast Airbenderfan and have a keen ear and a penchant for heart-wrenching, melancholy moments, you might have heard a devastating musical callback in the live-action Netflix series.
In episode 4, "Into the Dark," the show takes a beat to focus on the cruel impact of war. It's here we learn of the tragic loss suffered by Uncle Iroh (Paul Sun-Hyung Lee), whose son Lu Ten died in battle. It's also the moment when the Netflix series pays homage to the original animated series with a song called "Leaves from the Vine." This was the first piece of music that was licensed for use from the original animated series, specifically for the scene described below.
SEE ALSO: Netflix's 'Avatar: The Last Airbender' hid a spirited reference in the marketplaceIn the Netflix series, there's a confrontation in the woods beyond Omashu between a captive General Iroh and an Earth Kingdom captain, whose 19-year-old brother was killed in action during the Fire Nation's siege of the city of Ba Sing Se. As he's confronted with his country's impact and lectured on loss, Iroh simply sits and absorbs the captain's hate. However, Iroh's experience with loss runs deeper than this captain knows, having lost his own son Lu Ten, a Fire Nation soldier, during the very same siege. Destroyed by his son's death, Iroh abandoned the siege.
Following this face-off, Iroh has a flashback to Lu Ten's funeral. His nephew, Prince Zuko (Dallas James Liu), pays him a great kindness when he hands Lu Ten's medal, which had been gifted to Zuko by his cousin, back to Iroh for strength. It's a moment that bonds Zuko and Iroh deeply, and one that exemplifies their entire relationship.
To amplify this moment, the score — composed by Takeshi Furukawa and performed by the Synchron Stage Orchestra and Choir — becomes an orchestral version of the song "Leaves from the Vine," as the camera moves toward the grieving Iroh. It's adapted from a song performed by Mako Iwamatsu, who voiced Iroh in the first two animated seasons of Avatarbefore his death in 2006.
The song is from the episode "Tales of Ba Sing Se" in Season 2, which is one of the best episodes of Avatar: The Last Airbender. Iroh sings "Leaves from the Vine" as he marks his late son's birthday by erecting a temporary memorial for him on a hill above the city where he died. Iroh tearfully sings to a portrait of Lu Ten this tale of a young soldier returning from battle — a fate his son would not share.
Leaves from the vine
Falling so slow
Like fragile, tiny shells
Drifting in the foam
Little soldier boy
Come marching home
Brave soldier boy
Comes marching home
It's not the first time we've heard it in the episode; Iroh sings it earlier to comfort a young boy crying in the street with his mother during a sweet, paternal moment. But when Iroh sings it for his own son, alone, it's a raw, melancholy moment, and one of the most poignant of the whole series.
Adapting Iroh's lament as a subtle moment in the Netflix series score not only elevates the tragedy of the funeral scene, but it also invites fans to revisit a memory we may have forgotten. "Leaves from the Vine" left me inconsolable when I heard it in the animated series, and its presence in the adaptation is an authentic, thoughtful inclusion. But more than anything, the moment serves to solidify Iroh's protective, paternal bond with Zuko, whose own relationship with his father is combustible at best, abusive at worst. Now all they have is each other.
Avatar: The Last Airbenderis now streaming on Netflix.
Topics Netflix Streaming
Brett Kavanaugh pal Mark Judge's memoir 'Wasted' is now available to read online'Severance' cinematographer Jessica Lee Gagné on working with Ben Stiller and moreBest outfits from Apple WWDC 2022Large Adult Sons are taking over Twitter with the 'This is MY son' memeThe decline and fall of Lindsey Graham, as told by his tweetsWordle today: Here's the answer, hints for June 9Apple Maps updates announced during WWDC 2022 includes multiEverything Apple revealed at its WWDC 2022 eventLet's bring back the super weird 1990 Rock the Vote campaignAn etiquette expert weighs in: When do you remind someone about an unpaid Venmo request?'Severance' cinematographer Jessica Lee Gagné on working with Ben Stiller and moreHands on with the Dyson Airwrap stylerThis Key and Peele sketch is every fandom's new memeNew European Union agreement could compel Apple to switch from Lightning to USBParty Rock Anthem has the same BPM as a lot of songs, and it's a glorious meme nowTV shows by Asian creators to watch on NetflixDisney+'s "Ms. Marvel" adds an imaginative flourish to the MCUBest beauty tech gadgets of 2022, so farThis wholesome Twitter account compares Chris Evans to soft, fluffy golden retrieversBest and worst iPhone rumors of 2022 Our Café au Lait Cup—Now for Sale! by Sadie Stein No Sandals Allowed by Lorin Stein The inclusive guide to fisting for all genders 'Beau' might be afraid, but Patti LuPone isn't Come Celebrate Our Fall Issue by Deirdre Foley What's the real story behind 'Love and Death's Candy Montgomery? Gormenghastly by Jonathan Gharraie Google workers demand company stop selling tech to police 'Succession' Season 4, episode 6 features a surprise Logan Roy cameo Managed Mayhem by Dawn Chan A Father, A Daughter, A Novel by Jesse Browner Reddit launches chat channels, coming for Discord and Telegram Apple Watch adds automatic handwashing detection for Covid Beyoncé's releases new song, website for Black creators on Juneteenth A Tiny Republic; Golden Eras by Lorin Stein Join Us This Saturday on the NYC Lit Crawl! by Sadie Stein 'Quordle' today: See each 'Quordle' answer and hints for April 29 Busker; Deposition Delivery by Chris Flynn 'Succession' Season 4, episode 6: What the hell is Living+? At the Bazaar by Alexandra Pechman
2.4698s , 10195.1640625 kb
Copyright © 2025 Powered by 【the inherent eroticism of the sea natalie wynn】,Unobstructed Information Network